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(Transferring a finished audio back to a
video master, as a seperate process)
Layback and Conform to high definition Panasonic
D5, Sony HDCam, DVCProHD Layback and conform to standard definition
NTSC/PAL D1, D2, D3, DCT, Digital Betacam, Betacam SP, 3/4"
and 1" C
Record to DA99, DAT, 2-Track 1/4", 4-Track
1/2" and 35mm Full-Coat Mag
Nonlinear Audio Playback, Digital Hard Drive,
Multi-Track Playback and Record
Dolby E and AC-3 Encoding, Dolby Digital Bit Streaming
MO Disc Transfer, Digital Hard Drive Multi-Track Playback and
Record
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The process of restoring
a film usually includes audio enhancement as well. CineCity's
audio department works hand-in-hand with the rest of the lab's
restoration capability
Sonic Solutions
No-Noise for removal of ticks, pops, clicks, crackles, high-frequency
hiss and noise
Tape damage repair
of damaged audio elements, transfers to new or current tape
formats from older tape formats
Optical Track restoration,
35mm negative optical track and comp audio track processing
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Optical track and magnetic
track creation is necessary for every film project with sound.
Cine City can have optical and magnetic audio elements created
for you.
Analog and Negative Optical
Track Creation of 35mm and 16mm optical track negatives
Digital Track Creation
including Dolby SRD, Sony SDDS and DTS
Mag Recording up to 6
Tracks on Full coat, 5 mill, FPC Stock Dolby A or SR Noise Reduction
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Dialogue/Production
Conforming, Editorial and Restoration
Sound Effects
Editorial
Full Music Editorial
Theatrical Pre-Dubbing
and Mixing
Theatrically calibrated 5.1 Mix and Editorial environments.
Theatrical remixing for home theatre DVD releases
Remixing of stereo and surround material to a 5.1 format
Conforming of film audio
to a single cut for DVD and Video releases
Voice over recording
for Radio and Television
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